To end all culture wars

The theology in To End All Wars is so sound and explicit that it may turn off Christians reared on pop spirituality | Gene Edward Veith

COMING SOON TO A THEATER near you: a World War II drama featuring Kiefer Sutherland, one of the movie industry's hottest stars. It is rated R.

It is a product of Hollywood.

And it is one of the powerful cinematic expositions of the Christian faith.

To End All Wars might have been pitched to the mainline filmmakers as Chariots of Fire meets Saving Private Ryan. Fans of the Oscar-winning Chariots of Fire, the true story of an athlete who refused to run in the Olympics on the Sabbath, will note the same Scottish accents, a similar soon-to-be church worker positively portrayed, and comparably high production values. But whereas Chariots of Fire, for all of its virtues, never got around to mentioning the gospel, To End All Wars amounts to a sustained meditation on the core of Christianity: Christ dying for sinners, and what that means in the most extreme trials of life.