Nearly three decades of summers since Slow Train Coming captivated new and old believers, reclusive rock legend Bob Dylan surfaces in a new album this month and a revealing documentary | Arsenio Orteza
When asked in 1997 to explain the enduring popularity of his songs, Bob Dylan said, "What makes them different is that there's a foundation to them. . . . They're standing on a strong foundation, and subliminally that's what people are hearing." On Aug. 29 Columbia Records will release Dylan's 32nd studio album, Modern Times, and judging from song titles such as "Thunder on the Mountain," "Spirit on the Water," and "Beyond the Horizon," the specific foundation to which he was referring—old folk, country, blues, and gospel songs—still serves as the bedrock of his composition. Another title, "The Levee's Gonna Break," eerily underscores the fact that the album's release date coincides with the anniversary of Hurricane Katrina.
A Dylan anthology
Selecting the best or even most representative Bob Dylan albums is difficult. Not only has Dylan undergone more stylistic changes than any other popular performer, but even his least heralded recordings contain excellent songs that fill in the otherwise inexplicable musical, emotional, and spiritual gaps of his major works. The list that follows constitutes a rough sketch of his peaks.
The Freewheelin' Bob Dylan (1963)
The finest of Dylan's early acoustic phase; chock-full of inspired whimsy and now-classic socio-political anthems and love songs.
Highway 61 Revisited (1965)
The fullest flowering of his "going electric" (more consistent than Bringing It All Back Home, harder edged than Blonde on Blonde); the album whose songs are most likely to turn up during a Dylan concert.
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